ABBREVIATIONS AND SIGLA
PREFACE
MUSICAL NOTATION AND PERFORMANCE PRACTICE
ACKNOWLEDGEMENTS
PRODUCTION NOTE
CAST
ORCHESTRA
Overture
ACT I
- Scene I: Stage of Ford Theatre, Baltimore
- 1. Another Op'nin', Another Show (HATTIE, Chorus)
- 1a. Another Op'nin', Another Show: Dance
- 1b. Another Op'nin', Another Show: Reprise (HATTIE, Chorus)
- 1c. Change of Scene: Another Op'nin', Another Show
- Scene II: The Corridor Backstage
- 2. Why Can't You Behave? (LOIS, BILL)
- 2a. Change of Scene: Why Can't You Behave?
- Scene III: Dressing-rooms, Fred Graham and Lilli Vanessi
- 3. Wunderbar (LILLI, FRED)
- 4. So In Love (LILLI)
- Scene IV: Padua
- 5. Padua Street Scene: We Open in Venice (KATHARINE, BIANCA, LUCENTIO, PETRUCHIO)
- Scene V: Street Scene, Padua
- 5a. Padua Street Scene: Dance
- 6. Tom, Dick or Harry (BIANCA, HORTENSIO, LUCENTIO, GREMIO)
- 6a. Tom, Dick or Harry: Encore (BIANCA, HORTENSIO, LUCENTIO, GREMIO)
- 7. Rose Dance
- 8. I've Come to Wive It Wealthily in Padua (PETRUCHIO, Men of Padua)
- 9. I Hate Men (KATHARINE)
- 9a. I Hate Men: Encore (KATHARINE)
- 10. Were Thine That Special Face (PETRUCHIO)
- 11. Change of Scene: I Hate Men
- Scene VI: Backstage
- 11a. Change of Scene: I Hate Men
- Scene VII: Fred's and Lilli's Dressing-rooms
- Scene VIII: Front of 'Shrew Curtain
- 12. I Sing of Love (BIANCA, LUCENTIO, Chorus)
- Scene IX: Exterior Church
- 12a. Tarantella
- 13. First Act Finale (KATHARINE, PETRUCHIO, Ensemble)
- 14. Entr'acte
ACT II
- Scene I: Theatre Alley
- 15. Too Darn Hot (PAUL, 2 BOYS)
- Scene II: Before the Curtain
- 15a. Too Darn Hot: Bows
- 15b. Change of Scene: So In Love
- Scene III: Petruchio's House
- 16. Where Is the Life That Late I Led? (PETRUCHIO)
- 16a. Change of Scene: Where Is the Life That Late I Led?
- Scene IV: The Corridor Backstage
- 17. Always True to You in My Fashion (LOIS)
- 17a. Always True to You in My Fashion: First Encore (LOIS)
- 17b. Always True to You in My Fashion: Second Encore (LOIS)
- 17c. Change of Scene: Why Can't You Behave?
- Scene V: Fred's and Lilli's Dressing-rooms
- Scene VI: The Corridor Backstage
- 18. Bianca (BILL, Girls, Boys)
- 18a. Under Dialogue
- 19. So In Love: Reprise (FRED)
- 19a. Change of Scene: So In Love
- Scene VII: Before the Asbestos Curtain
- 20. Brush Up Your Shakespeare (FIRST GUNMAN, SECOND GUNMAN)
- 20a. Brush Up Your Shakespeare: First Encore (FIRST GUNMAN, SECOND GUNMAN)
- 20b. Brush Up Your Shakespeare: Second Encore (FIRST GUNMAN, SECOND GUNMAN)
- Scene VIII: Baptista's Home
- 21. Pavane
- 22. I Am Ashamed That Women Are So Simple (KATHARINE)
- 23. Finale (KATHARINE, PETRUCHIO, Ensemble)
- 23a. Finale: Dance
- 24. Last Curtain (KATHARINE, PETRUCHIO, All)
- 25. Exit Music: So In Love
APPENDIX
- 1. Another Op'nin', Another Show (F) (HATTIE, Chorus)
- 1. Another Op'nin', Another Show (C) (HATTIE, Chorus)
- 1b. Another Op'nin', Another Show: Reprise (F) (HATTIE, Chorus)
- 1b. Another Op'nin', Another Show: Reprise (C) (HATTIE, Chorus)
- 11. Harlequin Ballerina
- 15. Too Darn Hot Dance: Ending (version 1)
- 15. Too Darn Hot Dance: Ending (version 2)
- 18. Bianca: Dance (London)
CRITICAL REPORT
BIBLIOGRAPHY